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Also known as Trip to Chicago, Part 13.

Photos here do not represent the most extensive documentation of these events.
For a more comprehensive catalogue, please see the Offical Scavhunt Gallery.

Later in the Hunt, I started forgetting to take my camera to events.

Also known as Trip to Chicago, Part 12.

Photos here do not represent the most extensive documentation of these events.
For a more comprehensive catalogue, please see the Offical Scavhunt Gallery.

Later in the Hunt, I started forgetting to take my camera to events.

Also known as Trip to Chicago, Part 11.

Photos here do not represent the most extensive documentation of these events.
For a more comprehensive catalogue, please see the Offical Scavhunt Gallery.

Later in the Hunt, I started forgetting to take my camera to events.

Also known as Trip to Chicago, Part 10.

Photos here do not represent the most extensive documentation of these events.
For a more comprehensive catalogue, please see the Offical Scavhunt Gallery.

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196. _____ Thursday night at 6:30 PM BSLC109 transforms into a Noraebang as your team performs its Ohako at the Scav Battle of Empty Orchestra Airbands.

This “project” is an informal discussion of modernism and postmodernism, ultimately to be applied to the larger Gothic Funk debate. A more detailed description of the project is available here. PLEASE ADD YOUR COMMENTS AND JOIN THE DEBATE:

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Writers and artists had to make such choices because they needed systematic and comprehensive alternatives to the dominant ideals of cultural modernism best represented by Enlightenment thinkers who emphasized a secular rationality promoting empiricism, material progress, and increasing democratization.

I’m going to go quickly today because I’ve a lot to do and time isn’t waiting.

– YESTERDAY – After work, created a Blockbuster account and got movies. Ate Chicken Parmesan with Jess and Cody. Watched Night of the Living Dead again.

I’m posting this half in the hope that I get shot down so eloquently that the last decade of doubt on this issue is put eternally to rest. I don’t buy the textbook explanation of the Monty Hall problem, and here’s why:

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This “project” is an informal discussion of modernism and postmodernism, ultimately to be applied to the larger Gothic Funk debate. A more detailed description of the project is available here. PLEASE ADD YOUR COMMENTS AND JOIN THE DEBATE:

Paragraph 1, Sentence 2:

As David Antin puts it, “From the modernism you choose you get the postmodernism you deserve.”

– YESTERDAY (SHORT) – After work I met Jess and Cody at Cajun, a bar, and told them about my quite boring day. They went onto to explain that they had, independently of one another, run into Bill Clinton, and that Jess had shook his hand.

This “project” is an informal discussion of modernism and postmodernism, ultimately to be applied to the larger Gothic Funk debate. A more detailed description of the project is available here. PLEASE ADD YOUR COMMENTS AND JOIN THE DEBATE:

Paragraph 1, Sentence 1:

Part description, part normative projection, and part self-promoting distortion, concepts of modernism and postmodernism have become fundamental for isolating a distinctive experimental tradition in postromantic art and then positing imperatives for change within it.