Was Lost Gothic? Do We Care? (Part 3)

Last week, I argued both that Lost was Gothic in its inversion of colonial power structures, and that this inversion was written to be relevant in our globalized 21st century society.  Today I’ll take on the use of the supernatural in Lost, and make a parallel argument: the use of the supernatural in Lost is Gothic, and this use of the supernatural is also relevant in the 21st century.… Read the rest

Was Lost Gothic? Do We Care? (Part 3) Read More »