CONCEPT
This project is an informal discussion of modernism and postmodernism, ultimately to be applied to the larger Gothic Funk debate. A more detailed description of the project is available here. PLEASE ADD YOUR COMMENTS AND JOIN THE DEBATE:
Paragraph 4, Sentence 4:
The poem defines what Hugh Kenner calls “the gestalt of what it could assimilate” because the conditions of imaginative visibility become part of the constructed object.
Charles Altieri, “Modernism and Postmodernism,” The New Princeton Encyclopedia of Poetry and Poetics (1993), 792-796.
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